ScopeLink is what this technology is called and it’s a brand new source located in ScopeBox’s Source menu.Ĭhoose ScopeLink as the source and your need for a dedicated computer to run ScopeBox may have gone away. Viola: no need for a second computer to run it. The Divergent Media engineers have figured out a way to take the video signal out of (currently) Adobe Premiere Pro and After Effects (using some technology in Mac OSX 10.8) and pump that into ScopeBox.
ScopeLink monitors Adobe Premiere Pro and After Effects on the same computer As in those that don’t have a dedicated computer to run video scope software. The addition of the ScopeLink feature eliminates that need for a second computer for some workflows and should make the tool usable to an untapped market of editors out there. The separate computer took that video signal and processed it to display in ScopeBox. You would pump a video signal out of your NLE’s installed video hardware and into a separate computer with both video input hardware and the ScopeBox software. Video scope software, for the most part, requires its own computer and hardware to run, but ScopeBox 3.3 breaks that tradition with a new feature called ScopeLink.īefore Divergent Media introduced version 3.3, ScopeBox required a whole separate computer besides your main edit system to work.
Enter a product like ScopeBox which is $100 stand-alone video scope software. Sometimes it’s a matter of making the right window arrangements to use an app’s built-in scopes but if you don’t save that window configuration then you’ll be less prone to use them when the time comes.
#SOMETHING LIKE SCOPEBOX FOR THE PC HOW TO#
They are very important when it comes to the color grading / color correction process but many of those working in post-production don’t really know how to properly use them (I say partially raising my own hand). Most all NLEs have video scopes somewhere in the software. Video scopes are one of those things we often take for granted.
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